Estonian Mythology - Literary Mythology

Literary Mythology

Friedrich Robert Faehlmann and Friedrich Reinhold Kreutzwald compiled the Estonian national epic Kalevipoeg out of numerous prosaic folk legends and runo verse imitations that they themselves had written. Faehlmann also wrote eight fictional myths combining motives of Estonian folklore (from the legends and folk songs), Finnish mythology (from Ganander’s "Mythologia Fennica") and classical Greek mythology. Matthias Johann Eisen was another folklorist and writer who studied folk legends and reworked them into literary form. Many of their contemporary scholars accepted this mythopoeia as authentic Estonian mythology.

The Estonian literary mythology describes the following pantheon: The supreme god, the god of all living is Taara. He is celebrated in sacred oak forests around Tartu. The god of thunder is Uku. Uku's daughters are Linda and Jutta, the queen of the birds. Uku has two sons: Kõu (Thunder) and Pikker (Lightning). Pikker possesses a powerful musical instrument, which makes demons tremble and flee. He has a naughty daughter, Ilmatütar (Weather Maiden).

During the era of Estonian national awakening the elements in the literary mythology were quickly and readily incorporated into contemporary popular culture through media and school textbooks. It can be difficult to tell how much of Estonian mythology as we know it today was actually constructed in the 19th and early 20th century. One should also note that some constructed elements are loans from Finnish mythology and may date back to the common Baltic-Finnic heritage.

Read more about this topic:  Estonian Mythology

Famous quotes containing the words literary and/or mythology:

    Society has really no graver interest than the well-being of the literary class.
    Ralph Waldo Emerson (1803–1882)

    Love, love, love—all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.
    Germaine Greer (b. 1939)