Style
Their songs are mostly anti social and weird in nature, but the lyrics contain hints of social criticism as well. For example, "Cinderella" (1994) is one of their "fun" songs, in which they tell the tale of Cinderella in a funny way: "Sie schlief im Kohlenkeller, trotzdem war sie bettelarm, weil sie von der vielen Kohle, die da lag, zu wenig nahm" ("She slept in the coal cellar, but she was dirt-poor, because she didn't take much of the plentiful coal that lay there"). The word "Kohle" ("coal") is a colloquial word for money in German.
More critical lyrics can be seen in the song "Burli" (1987), which tells the story of a boy born shortly after the Chernobyl accident in an exaggerated and humorous way: "Herr Anton hat ein Häuschen mit einem Gartenzwerg und davor, da steht ein Kernkraftwerk. Da gab es eines Tages eine kleine Havarie, die Tomaten war'n so groß wie nie…" ("Mr. Anton has a small house with a garden gnome, and nearby there's a nuclear power plant. One day there was a small accident - the tomatoes were bigger than ever before…"). Both "Burli" and the song "Afrika" led radio stations to boycott the band.
The band is known for open statements against political extremism especially on the right ("bacillus nationalis") and was sued by prominent politicians of the political right like Kurt Waldheim for drawing attention to his past in the 3rd Reich and Jörg Haider then head of the right-leaning FPÖ. Songs on this topic include e.g. "Eierkopf-Rudi" or "Wir marschieren".
The stage shows are known for lavishness in both backdrop and costumes, the latter often selected and changed for specific songs that are then acted out by either the vocalist or other members.
Read more about this topic: Erste Allgemeine Verunsicherung
Famous quotes containing the word style:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
—Henry David Thoreau (1817–1862)
“Many great writers have been extraordinarily awkward in daily exchange, but the greatest give the impression that their style was nursed by the closest attention to colloquial speech.”
—Thornton Wilder (1897–1975)