Focus of Novels
Erotic romance novels have romance as the main focus of the plot line, and they are characterized by strong, often explicit, sexual content. The books can contain elements of any of the other romance subgenres, such as paranormal elements, chick lit, hen lit, historical fiction, etc. In fact, many erotic romance novels are often categorized by one of the categories already defined in the industry.
Erotic romance novels take the reader beyond the bedroom door where more traditional romance does not breach that barrier. The sex scenes, while explicit, are there for the purpose of character development. Erotic romance should not be confused with pornography. Works of pornography consist of sexual acts without a plot line. Erotic romance however includes well-developed characters and at least one primary plot with the possibility of subplots. The primary and/or subplots can stand alone without the explicit sex, but the characterizations in the story will suffer dramatically if the sexual content is removed.
Read more about this topic: Erotic Romance Novels
Famous quotes containing the words focus of, focus and/or novels:
“Carlyle is not a seer, but a brave looker-on and reviewer; not the most free and catholic observer of men and events, for they are likely to find him preoccupied, but unexpectedly free and catholic when they fall within the focus of his lens.”
—Henry David Thoreau (1817–1862)
“I don’t have any doubts that there will be a place for progressive white people in this country in the future. I think the paranoia common among white people is very unfounded. I have always organized my life so that I could focus on political work. That’s all I want to do, and that’s all that makes me happy.”
—Hettie V., South African white anti-apartheid activist and feminist. As quoted in Lives of Courage, ch. 21, by Diana E. H. Russell (1989)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)