Selection of Theatre Work
- Morte nella notte di Natale (play - 1988, I)
- Ballarò (play - 1989, I)
- Nasci lu iornu (musical - 1993, I)
- Volti Lunari (play - 1994, UK)
- Reunion in Genthin (play - 1995, UK)
- Grand Hotel - The Musical (musical - 1995, UK)
- The Tempest (play - 1995, UK)
- Varietè (dark operetta - 1996/97, UK)
- The Other Woman (compilation musical - 1998/99, UK)
- The Conquering Hero of Seville (play - 1999, UK)
- Mr China's Son (multimedia play with music - 2002, UK)
- True or Falsetto? A Secret History of the Castrati (one man musical - 2002-2007, UK + world tour)
- The Englishman Sits in a Caravan at St Osyth/Singing (opera - 2003, UK)
- Cabaret - The Musical (musical - 2003, UK)
- Chicago - The Musical (musical - 2004/05, UK)
- The Veiled Screen: A Secret History of Hollywood (one man musical - 2005/06, UK)
- Camurrìa! (musical - 2008, UK)
- Petit Cheval Blanc (play - 2013, India)
Read more about this topic: Ernesto Tomasini
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“The books for young people say a great deal about the selection of Friends; it is because they really have nothing to say about Friends. They mean associates and confidants merely.”
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“Judge Ginsburg’s selection should be a model—chosen on merit and not ideology, despite some naysaying, with little advance publicity. Her treatment could begin to overturn a terrible precedent: that is, that the most terrifying sentence among the accomplished in America has become, “Honey—the White House is on the phone.””
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“When a work appears to be ahead of its time, it is only the time that is behind the work.”
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