Selection of Theatre Work
- Morte nella notte di Natale (play - 1988, I)
- Ballarò (play - 1989, I)
- Nasci lu iornu (musical - 1993, I)
- Volti Lunari (play - 1994, UK)
- Reunion in Genthin (play - 1995, UK)
- Grand Hotel - The Musical (musical - 1995, UK)
- The Tempest (play - 1995, UK)
- Varietè (dark operetta - 1996/97, UK)
- The Other Woman (compilation musical - 1998/99, UK)
- The Conquering Hero of Seville (play - 1999, UK)
- Mr China's Son (multimedia play with music - 2002, UK)
- True or Falsetto? A Secret History of the Castrati (one man musical - 2002-2007, UK + world tour)
- The Englishman Sits in a Caravan at St Osyth/Singing (opera - 2003, UK)
- Cabaret - The Musical (musical - 2003, UK)
- Chicago - The Musical (musical - 2004/05, UK)
- The Veiled Screen: A Secret History of Hollywood (one man musical - 2005/06, UK)
- Camurrìa! (musical - 2008, UK)
- Petit Cheval Blanc (play - 2013, India)
Read more about this topic: Ernesto Tomasini
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“The books for young people say a great deal about the selection of Friends; it is because they really have nothing to say about Friends. They mean associates and confidants merely.”
—Henry David Thoreau (1817–1862)
“When you consider the radiance, that it does not withhold
itself but pours its abundance without selection into every
nook and cranny”
—Archie Randolph Ammons (b. 1926)
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.”
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“What saved me then? Nothing but pregnancy. And each time after I had given birth to my work my life hung suspended by a thin thread.”
—Friedrich Nietzsche (1844–1900)