Work
The creation of his work is at the same time plastic and literary. Words, titles, sentences, graffiti are extensions and elucidations of the visual effect. The artist gets his inspiration from several aspects of the social fabric. Communication and in-communication are recurring central themes in his work. Themes like alienation, seclusion, unrest, insecurity are often starting points for his visual production. Pevernagie sees painting as a semiotic experience.
” Details ” and small items of life, which enclose us and which form the structure, through which we comprehend the world, build the cornerstones of his work. Repeatedly events from our collective memory are translated into his paintings. His artistic approach consists in hiding the subject in a singular environment.
His work is practically unclassifiable, as various currents seem to culminate in it. Characters are integrated in their environment by means of geometric lines and compositional planes. Figuration and abstractionism are forced to a compromise and highlight a wide range of emotions and reflections.
The material on the canvas and the color process play an essential role. The use of sand and metal filings, which gives his paintings their special texture, is in this respect illuminating. Representative is his dialectical approach towards “presence” and “absence”, which adds to the creation of tension that he wants to bring about visually and mentally. In his mind “non-painted” and “painted” matter are to be evaluated on an equal level.
Read more about this topic: Erik Pevernagie
Famous quotes containing the word work:
“Writing a book I have found to be like building a house. A man forms a plan, and collects materials. He thinks he has enough to raise a large and stately edifice; but after he has arranged, compacted and polished, his work turns out to be a very small performance. The authour however like the builder, knows how much labour his work has cost him; and therefore estimates it at a higher rate than other people think it deserves,”
—James Boswell (1740–1795)
“A work can become modern only if it is first postmodern. Postmodernism thus understood is not modernism at its end but in the nascent state, and this state is constant.”
—Jean François Lyotard (b. 1924)
“Idleness makes people feeble and peevish. Work makes them stalwart and prone to anger.”
—Mason Cooley (b. 1927)