Work
The creation of his work is at the same time plastic and literary. Words, titles, sentences, graffiti are extensions and elucidations of the visual effect. The artist gets his inspiration from several aspects of the social fabric. Communication and in-communication are recurring central themes in his work. Themes like alienation, seclusion, unrest, insecurity are often starting points for his visual production. Pevernagie sees painting as a semiotic experience.
” Details ” and small items of life, which enclose us and which form the structure, through which we comprehend the world, build the cornerstones of his work. Repeatedly events from our collective memory are translated into his paintings. His artistic approach consists in hiding the subject in a singular environment.
His work is practically unclassifiable, as various currents seem to culminate in it. Characters are integrated in their environment by means of geometric lines and compositional planes. Figuration and abstractionism are forced to a compromise and highlight a wide range of emotions and reflections.
The material on the canvas and the color process play an essential role. The use of sand and metal filings, which gives his paintings their special texture, is in this respect illuminating. Representative is his dialectical approach towards “presence” and “absence”, which adds to the creation of tension that he wants to bring about visually and mentally. In his mind “non-painted” and “painted” matter are to be evaluated on an equal level.
Read more about this topic: Erik Pevernagie
Famous quotes containing the word work:
“It is the work of a brave man surely, in whom there was no guile! He rounded this water with his hand, deepened and clarified it in his thought, and in his will bequeathed it to Concord. I see by its face that it is visited by the same reflection; and I can almost say, Walden, is it you?”
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“Many divorces are not really the result of irreparable injury but involve, instead, a desire on the part of the man or woman to shatter the setup, start out from scratch alone, and make life work for them all over again. They want the risk of disaster, want to touch bottom, see where bottom is, and, coming up, to breathe the air with relief and relish again.”
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“You live on hopes, I guess. You always dream that someday you might have a lot of money, your ship might come in. But if the ship doesn’t come in, I’m going to work as long as I can.”
—Marion Gray (b. c. 1914)