Contribution
Tolbert's specialty is Garveyism. His 1980 The UNIA and Black Los Angeles, was the first regional study of the Marcus Garvey movement. He has written and edited numerous books on the subject; served on scores of committees and panels; given hundreds of presentations; and enhanced the scholarship greatly on the subject. He has especially shed light on the effect of Garveyism in Los Angeles, the Los Angeles metropolitan area and California, conducting studies on various UNIA chapters nationwide.
Recently Tolbert has been active in the Sabbath in Africa movement (SIA), sitting on its board and giving presentations across the world. The SIA generates scholarship on Christianity in Africa, operating on the premise that Christianity is a native African religion and has survived there uninterrupted since its inception during Pentecost.
Additionally, Tolbert is known to have one of the largest personal collections of African American memorabilia.
Read more about this topic: Emory Tolbert
Famous quotes containing the word contribution:
“Sometimes I think that idlers seem to be a special class for whom nothing can be planned, plead as one will with them—their only contribution to the human family is to warm a seat at the common table.”
—F. Scott Fitzgerald (1896–1940)
“Parents are used to being made to feel guilty about...their contribution to the population problem, the school tax burden, and declining test scores. They expect to be blamed by teachers and psychologists, if not by police. And they will be blamed by the children themselves. It is hardy a wonder, then, that they withdraw into what used to be called “permissiveness” but is really neglect.”
—C. John Sommerville (20th century)
“If melodrama is the quintessence of drama, farce is the quintessence of theatre. Melodrama is written. A moving image of the world is provided by a writer. Farce is acted. The writer’s contribution seems not only absorbed but translated.... One cannot imagine melodrama being improvised. The improvised drama was pre-eminently farce.”
—Eric Bentley (b. 1916)