Recognition
Carr's life itself made her a "Canadian icon", according to the Canadian Encyclopedia. As well as being "an artist of stunning originality and strength", she was an exceptionally late bloomer, starting the work for which she is best known at the age of 57 (see Grandma Moses). Carr was also an artist who succeeded against the odds, living in an artistically unadventurous society, and working mostly in seclusion away from major art centers, thus making her "a darling of the women's movement" (see Georgia O'Keeffe, whom she met in 1930 in New York). Emily Carr brought the north to the south; the west to the east; glimpses of the ancient culture of the indigenous peoples of the Americas to the most newly arrived Europeans on the continent.
On 12 February 1971 Canada Post issued a 6¢ stamp 'Emily Carr, painter, 1871-1945' designed by William Rueter based on Carr's Big Raven (1931), held by the Vancouver Art Gallery. On 7 May 1991 Canada Post issued a 50¢ stamp 'Forest, British Columbia, Emily Carr, 1931-1932' designed by Pierre-Yves Pelletier based on Forest, British Colombia (1931-1932), also from the Vancouver Art Gallery collection.
Read more about this topic: Emily Carr
Famous quotes containing the word recognition:
“American feminists have generally stressed the ways in which men and women should be equal and have therefore tried to put aside differences.... Social feminists [in Europe] ... believe that men and society at large should provide systematic support to women in recognition of their dual role as mothers and workers.”
—Sylvia Ann Hewitt (20th century)
“In a cabinet of natural history, we become sensible of a certain occult recognition and sympathy in regard to the most unwieldy and eccentric forms of beast, fish, and insect.”
—Ralph Waldo Emerson (18031882)
“By now, legions of tireless essayists and op-ed columnists have dressed feminists down for making such a fuss about entering the professions and earning equal pay that everyones attention has been distracted from the important contributions of mothers working at home. This judgment presumes, of course, that prior to the resurgence of feminism in the 70s, housewives and mothers enjoyed wide recognition and honor. This was not exactly the case.”
—Mary Kay Blakely (20th century)