The electronic color code is used to indicate the values or ratings of electronic components, very commonly for resistors, but also for capacitors, inductors, and others. A separate code, the 25-pair color code, is used to identify wires in some telecommunications cables.
The electronic color code was developed in the early 1920s by the Radio Manufacturers Association (now part of Electronic Industries Alliance (EIA)), and was published as EIA-RS-279. The current international standard is IEC 60062.
Colorbands were commonly used (especially on resistors) because they were easily printed on tiny components, decreasing construction costs. However, there were drawbacks, especially for color blind people. Overheating of a component, or dirt accumulation, may make it impossible to distinguish brown from red from orange. Advances in printing technology have made printed numbers practical for small components, which are often found in modern electronics.
Read more about Electronic Color Code: Resistor Color Coding, Capacitor Color Coding, Diode Part Number, Postage Stamp Capacitors and War Standard Coding, Mnemonics, Examples, Printed Numbers, Transformer Wiring Color Codes, Other Wiring Codes
Famous quotes containing the words electronic, color and/or code:
“The car as we know it is on the way out. To a large extent, I deplore its passing, for as a basically old- fashioned machine, it enshrines a basically old-fashioned idea: freedom. In terms of pollution, noise and human life, the price of that freedom may be high, but perhaps the car, by the very muddle and confusion it causes, may be holding back the remorseless spread of the regimented, electronic society.”
—J.G. (James Graham)
“Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness, to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.”
—Ralph Waldo Emerson (1803–1882)
“Motion or change, and identity or rest, are the first and second secrets of nature: Motion and Rest. The whole code of her laws may be written on the thumbnail, or the signet of a ring.”
—Ralph Waldo Emerson (1803–1882)