Sound Generation Techniques
All electroacoustic music is made with electronic technology. Some electroacoustic compositions make use of sounds not available to typical acoustic instruments, such as those used in a traditional orchestra. The interaction between sounds and the ways they are transfigured over time has been termed "spectromorphology" by the composer Denis Smalley (Smalley 1997).
Read more about this topic: Electroacoustic Music
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“The mastery of one’s phonemes may be compared to the violinist’s mastery of fingering. The violin string lends itself to a continuous gradation of tones, but the musician learns the discrete intervals at which to stop the string in order to play the conventional notes. We sound our phonemes like poor violinists, approximating each time to a fancied norm, and we receive our neighbor’s renderings indulgently, mentally rectifying the more glaring inaccuracies.”
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