Setting
El Nombre is set in the fictional town of Santa Flamingo ("deep in the heart of Mexico"), home of Little Juan, Maria Consuela Tequilla Chiquita, Little Pepita Consuela Tequilla Chiquita, Tanto the friendly tarantula spider, El Gelato the ice-cream seller, Leonardo de Sombrero the pizza delivery boy, Senior Calculo the Bank Manager and the local bully Don Fandango. Whenever he is needed, El Nombre swings into action to solve the townspeople's simple mathematical problems, usually talking in rhyme. His character is a parody of the fictional hero Zorro, wearing a similar black cowl mask and wide sombrero, appearing unexpectedly to save the town folk from injustice and generally swinging around on his bullwhip. However, unlike Zorro, he is often quite inept.
Initially, El Nombre's function was merely to write numbers in the sand to demonstrate the correct way to form a number. This was shot from an angle directly overhead leaving El Nombre almost completely eclipsed by his large sombrero. His appeal was instant and his success prompted rapid development of his role in the series. Since the basic beginning El Nombre has completed 7 educational series (his segment on Number Time) and grown into a 4-5 minute slot, acquiring dramatic storylines, a full cast of characters, and continued to demonstrate mathematical concepts albeit in a dramatic & entertaining way. Episodes have moved away from solving simple mathematical equations to fighting petty crime, unrelated to the number-solving which made his name and for which he was conceived.
As well as being popular with school children, El Nombre has developed a cult following amongst students and parents because of the many references to classic spaghetti Westerns. Indeed, his popularity has grown so much that in March 2004, the El Nombre theme song was released as a single.
El Nombre actually means "The Name" in Spanish, not "The Number" which would be "El Número".
Read more about this topic: El Nombre
Famous quotes containing the word setting:
“High from the summit of a craggy cliff,
Hung o’er the deep, such as amazing frowns
On utmost Kilda’s shore, whose lonely race
Resign the setting sun to Indian worlds,
The royal eagle draws his vigorous young”
—James Thomson (1700–1748)
“The trees stand in the setting sun,
I in their freckled shade
Regard the cavalcade of sin,
Remorse for foolish action done,
That pass like ghosts regardless, in
A human image made....”
—Philip Larkin (1922–1986)
“Dandyism is the last flicker of heroism in decadent ages.... Dandyism is a setting sun; like the declining star, it is magnificent, without heat and full of melancholy. But alas! the rising tide of democracy, which spreads everywhere and reduces everything to the same level, is daily carrying away these last champions of human pride, and submerging, in the waters of oblivion, the last traces of these remarkable myrmidons.”
—Charles Baudelaire (1821–1867)