Culture
Ein Hod has 22 galleries, 14 art workshops, 2 museums and 14 rooms for rent to tourists. Workshops include printing, sculpture, photography, silk screening, music (vocal), ceramics, mosaics, design, stained glass, lithography and blacksmithing. The Gertrud Kraus House sponsors biweekly chamber music concerts and guest lectures. During the summer months, performances of popular music and light entertainment take place in an outdoor amphitheatre. Throughout the year, free outdoor jazz concerts are held on Saturdays near the village's central square.
Ein Hod's main gallery has five exhibition halls, each devoted to a different artistic sector. Hall 1 exhibits art by immigrants from the former Soviet Union and Ethiopia; Hall 2 is exclusively for Ein Hod artists, past and present; Halls 3 and 4 are for changing exhibitions, solo and group shows of residents and outsiders; and Hall 5 is for theme shows.
The Nisco Museum of Mechanical Music in Ein Hod is the first museum in Israel dedicated to antique musical instruments. The collection, accumulated over 40 years by Nisan Cohen, contains music boxes, hurdy gurdies, an automatic organ, a reproducing player piano, a collection of 100 year-old manivelles, gramophones, hand-operated automatic pianos and other instruments.
The Düsseldorf-Ein Hod exchange program has brought Düsseldorf artists to Ein Hod and vice versa over the past two decades. A similar program has been inaugurated for artists from New Hampshire.
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Famous quotes containing the word culture:
“All our civilization had meant nothing. The same culture that had nurtured the kindly enlightened people among whom I had been brought up, carried around with it war. Why should I not have known this? I did know it, but I did not believe it. I believed it as we believe we are going to die. Something that is to happen in some remote time.”
—Mary Heaton Vorse (1874–1966)
“What culture lacks is the taste for anonymous, innumerable germination. Culture is smitten with counting and measuring; it feels out of place and uncomfortable with the innumerable; its efforts tend, on the contrary, to limit the numbers in all domains; it tries to count on its fingers.”
—Jean Dubuffet (1901–1985)