Works
For Robert La Fosse's ballet to MacDowell's music, see Woodland Sketches.The following lists were compiled from information in collections of sheet music, Lawrence Gilman's Edward MacDowell: A Study (1908), Oscar Sonneck's Catalogue of First Editions of Edward MacDowell (1917), and John F. Porte's Edward MacDowell (1922).
Published compositions for piano, a complete listing
Op. 1 Amourette (1896) by Edgar Thorn
Op. 2 In Lilting Rhythm (1897) by Edgar Thorn
Op. 4 Forgotten Fairy Tales (1897) by Edgar Thorn
Op. 7 Six Fancies (1898) by Edgar Thorn
In 1895, an "op. 8 Waltz" for piano by MacDowell was listed by Breitkopf & Härtel, but no price was shown, and the piece was not published.
Op. 10 First Modern Suite (1883)
Op. 13 Prelude and Fugue (1883)
Op. 14 Second Modern Suite (1883)
Op. 15 First Concerto (1885)
Op. 16 Serenata (1883)
Op. 17 Two Fantastic Pieces (1884)
Op. 18 Two Compositions (1884)
Op. 19 Forest Idylls (1884)
Op. 20 Three Poems (1886) duets
Op. 21 Moon Pictures (1886) duets after Hans Christian Andersen's "Picture-book without Pictures"
Op. 23 Second Concerto (1890)
Op. 24 Four Compositions (1887)
Op. 28 Six Idylls after Goethe (1887)
Op. 31 Six Poems after Heine (1887,1901)
Op. 32 Four Little Poems (1888)
Op. 36 Etude de Concert (1889)
Op. 37 Les Orientales (1889)
Op. 38 Marionettes (1888,1901)
Op. 39 Twelve Studies (1890)
Op. 45 Sonata Tragica (1893)
Op. 46 Twelve Virtuoso Studies (1894)
Op. 49 Air and Rigaudon (1894)
Op. 50 Sonata Eroica (1895) "Flos regum Arthurus"
Op. 51 Woodland Sketches (1896)
Op. 55 Sea Pieces (1898)
Op. 57 Third Sonata (1900)
Op. 59 Fourth Sonata (1901)
Op. 61 Fireside Tales (1902)
Op. 62 New England Idylls (1902)
MacDowell published two books of Technical Exercises for piano; piano duet transcriptions of Hamlet and Ophelia for orchestra (op. 22); First Suite for orchestra (op.42); and a piano solo version of op. 42, no. 4, "The Shepherdess' Song", renamed "The Song of the Shepherdess".
Published compositions for orchestra, a complete listing
Op. 15 First Concerto (1885)
Op. 22 Hamlet and Ophelia (1885)
Op. 23 Second Concerto (1890)
Op. 25 Lancelot and Elaine (1888)
Op. 29 Lamia (1908)
Op. 30 Two Fragments after the Song of Roland (1891) I. The Saracens - II. The Lovely Alda
Op. 35 Romance for Violoncello and Orchestra (1888)
Op. 42 First Suite (1891–1893) I. In a Haunted Forest - II. Summer Idyl - III. In October - IV. The Shepherdess' Song - V. Forest Spirits
Op. 48 Second ("Indian") Suite (1897) I. Legend - II. Love Song - III. In War-time - IV. Dirge - V. Village Festival
Published songs
Op. 3 Love and Time and The Rose and the Gardener, for male chorus (1897) by Edgar Thorn
Op. 5 The Witch, for male chorus (1898) by Edgar Thorn
Op. 6 War Song, for male chorus (1898) by Edgar Thorn
Op. 9 Two Old Songs, for voice and piano (1894) I. Deserted - II. Slumber Song
Op. 11 and 12 An Album of Five Songs, for voice and piano (1883) I. My Love and I - II. You Love Me Not - III. In the Skies - IV. Night-Song - V. Bands of Roses
Op. 26 From an Old Garden, for voice and piano (1887) I. The Pansy - II. The Myrtle - III. The Clover - IV. The Yellow Daisy - V. The Blue Bell - VI. The Mignonette
Op. 27 Three Songs, for male chorus (1890) I. In the Starry Sky Above Us - II. Springtime - III. The Fisherboy
Op. 33 Three Songs, for voice and piano (1894) I. Prayer - II. Cradle Hymn - III. Idyl
Op. 34 Two Songs, for voice and piano (1889) I. Menie - II. My Jean
Op. 40 Six Love Songs, for voice and piano (1890) I. Sweet, Blue-eyed Maid - II. Sweetheart, Tell Me - III. Thy Beaming Eyes - IV. For Love's Sweet Sake - V. O Lovely Rose - VI. I Ask but This
Op. 41 Two Songs, for male chorus (1890) I. Cradle Song - II. Dance of the Gnomes
Op. 43 Two Northern Songs, for mixed chorus (1891) I. The Brook - II. Slumber Song
Op. 44 Barcarolle, for mixed chorus with four-hand piano accompaniment (1892)
Op. 47 Eight Songs, for voice and piano (1893) I. The Robin Sings in the Apple Tree - II. Midsummer Lullaby - III. Folk Song - IV. Confidence - V. The West Wind Croons in the Cedar Trees - VI. In the Woods - VII. The Sea - VIII. Through the Meadow
Two Songs from the Thirteenth Century, for male chorus (1897) I. Winter Wraps his Grimmest Spell - II. As the Gloaming Shadows Creep
Op. 52 Three Choruses, for male voices (1897) I. Hush, hush! - II. From the Sea - III. The Crusaders
Op. 53 Two Choruses, for male voices (1898) I. Bonnie Ann - II. The Collier Lassie
Op. 54 Two Choruses, for male voices (1898) I. A Ballad of Charles the Bold - II. Midsummer Clouds
Op. 56 Four Songs, for voice and piano (1898) I. Long Ago - II. The Swan Bent Low to the Lily - III. A Maid Sings Light - IV. As the Gloaming Shadows Creep
Op. 58 Three Songs, for voice and piano (1899) I. Constancy - II. Sunrise - III. Merry Maiden Spring
Op. 60 Three Songs, for voice and piano (1902) I. Tyrant Love - II. Fair Springtide - III. To the Golden Rod
Summer Wind, for women's voices (1902)
Two College Songs, for women's voices (1907) I. Alma Mater - II. At Parting
Read more about this topic: Edward MacDowell
Famous quotes containing the word works:
“In saying what is obvious, never choose cunning. Yelling works better.”
—Cynthia Ozick (b. 1928)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)
“My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
—Hannah More (1745–1833)