Works
- Mount Timohorit, Albania (1848)
- Illustrations of the Family of the Psittacidae, or Parrots (1832)
- Tortoises, Terrapins, and Turtles by J.E. Gray
- Views in Rome and its Environs (1841)
- Gleanings from the Menagerie at Knowsley Hall (1846)
- Book of Nonsense (1846)
- Journal of a Landscape Painter in Greece and Albania (1851)
- Journal of a Landscape Painter in Southern Calabria (1852)
- Journal of a Landscape Painter in Corsica (1870)
- Nonsense Songs and Stories (1870, dated 1871)
- More Nonsense Songs, Pictures, etc. (1872)
- Laughable Lyrics (1877)
- Nonsense Alphabets
- Nonsense Botany (1888)
- Tennyson's Poems, illustrated by Lear (1889)
- Facsimile of a Nonsense Alphabet (1849, but not published until 1926)
- The Scroobious Pip, unfinished at his death, but completed by Ogden Nash and illustrated by Nancy Ekholm Burkert (1968)
- The Quangle-Wangle's Hat (unknown)
- Edward Lear's Parrots by Brian Reade, Duckworth (1949), including 12 coloured plates from Lear's Psittacidae
- The 1970 Saturday morning cartoon Tomfoolery, based on the works of Lear and Lewis Carroll
Read more about this topic: Edward Lear
Famous quotes containing the word works:
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)
“We ourselves are Jews by birth and not Gentile sinners; yet we know that a person is justified not by the works of the law but through faith in Jesus Christ. And we have come to believe in Christ Jesus, so that we might be justified by faith in Christ, and not by doing the works of the law, because no one will be justified by the works of the law.”
—Bible: New Testament, Galatians 2:15-16.
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)