Career
Hardwicke played at the Bristol Old Vic, the Oxford Playhouse and the Nottingham Playhouse, before joining Laurence Olivier’s National Theatre in 1964. He performed regularly there for seven years. He appeared with Olivier in William Shakespeare’s Othello and Ibsen’s The Master Builder. He also appeared in Peter Shaffer’s The Royal Hunt of the Sun (with Robert Stephens), Charley's Aunt, Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, Congreve's The Way of the World, Georges Feydeau’s A Flea In Her Ear (directed by Jacques Charon of the Comédie Française), The Crucible, Luigi Pirandello's The Rules Of The Game, Fyodor Dostoevsky's The Idiot and George Bernard Shaw's Mrs. Warren's Profession. He returned to the National in 1977 for a production of Feydeau's The Lady from Maxim's.
In 1973, he played Dr Astrov in Anton Chekhov's Uncle Vanya at the Bristol Old Vic, and had an uncredited role as Charles Calthrop in the film The Day of the Jackal. In 1975, he appeared in Frederick Lonsdale's On Approval at the Haymarket Theatre, and in 1976, he played Sir Robert Chiltern in Oscar Wilde's An Ideal Husband at the Yvonne Arnaud Theatre, a production with which he toured Canada.
In 2001, he played Arthur Winslow in The Winslow Boy at the Chichester Festival Theatre, a role played by his father in the 1948 film.
Read more about this topic: Edward Hardwicke
Famous quotes containing the word career:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“I’ve been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)