In Fiction
The notion of stealing the Mona Lisa and making six copies to sell to private collectors is similar to a plot element in the Doctor Who story "City of Death" – in which, through time travel, Leonardo himself is forced to make copies of his own work, which would then be sold in 1979.
In the 1985 television series The Adventures of Sherlock Holmes starring Jeremy Brett, the episode called "The Final Problem" begins with the theft of the Mona Lisa, masterminded by Moriarty in order to sell prepared fakes to collectors. Holmes recovers the original painting just before Moriarty makes a sale to a "Mr. Morgan". Holmes's interference with his plans convinces Moriarty that the detective must be eliminated.
This con was also mentioned in Leverage episode "The Two Live Crew Job", where a rival crew steals a painting that the Leverage Crew was looking for. Parker claims that this "Mona Lisa Variant" was the first con she learned and explains it for the viewing audience.
In the film St Trinian's (2007), the girls use a similar scheme with the painting Girl with a Pearl Earring: they make a copy of the picture, "borrow" the original, sell the copy for £500 000, return the original (claiming to have found it in a Harvey Nichols changing room) and claim the £500 000 reward. In a deleted scene, they mention the original 'Mona Lisa scam'.
In the psychological heist film Inception, Hotel Valferno is a hotel where the characters meet and fight.
In the USA Network show White Collar, an episode entitled "Copycat Caffrey" was mainly about the same basic con that Valfierno had pulled.
The Argentine novelist Martin Caparros published in 2004 the novel Valfierno, in which he reconstructs in fictional form the biography of the con man, as well as those of his accomplices and the historical milieu from which they sprang.
Valfierno is the main character of the 2011 novel Stealing Mona Lisa, which is a fictional account of the theft.
Read more about this topic: Eduardo De Valfierno
Famous quotes containing the word fiction:
“... the main concern of the fiction writer is with mystery as it is incarnated in human life.”
—Flannery O’Connor (1925–1964)
“Americans will listen, but they do not care to read. War and Peace must wait for the leisure of retirement, which never really comes: meanwhile it helps to furnish the living room. Blockbusting fiction is bought as furniture. Unread, it maintains its value. Read, it looks like money wasted. Cunningly, Americans know that books contain a person, and they want the person, not the book.”
—Anthony Burgess (b. 1917)