Edit Music For A Film: Original Motion Picture Soundtrack Reconstruction

Training Day, and Blade Runner amongst others.

The first disc Widescreen Edit – A New Hope, which is taken from the first original Star Wars film Star Wars Episode IV: A New Hope, and mainly focuses on inventive usage of film dialogue and scores. The second disc Bonus Material Edit – Strikes Back, which is likely a contraction of the second made Star Wars film The Empire Strikes Back, focuses more on rhythm and long stretches of film-inspired "dance" music without the heavy inventiveness of the previous disc.

Famous quotes containing the words edit, music, original, motion and/or picture:

    “To a philosopher all news, as it is called, is gossip, and they who edit it and read it are old women over their tea.”
    —Henry David Thoreau (1817–1862)

    “As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.”
    —Baruch (Benedict)

    “What is most original in a man’s nature is often that which is most desperate. Thus new systems are forced on the world by men who simply cannot bear the pain of living with what is. Creators care nothing for their systems except that they be unique. If Hitler had been born in Nazi Germany he wouldn’t have been content to enjoy the atmosphere.”
    —Leonard Cohen (b. 1934)

    “I still think I ought to leave Washington well alone. I have many friends in that city who can of their own motion speak confidently of my ways of thinking and acting. An authorized representative could remove some troubles that you now see, but only think of yet greater troubles he might create.”
    —Rutherford Birchard Hayes (1822–1893)

    “The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
    —Raymond Chandler (1888–1959)