Writing Credits (filmography)
- Laro sa Baga (2000), film adaptation and screenplay
- Bangkang Papel sa Dagat ng Apoy (1984), story/novel
- Idol (1984), screenplay
- Uod at Rosas (Of Worms and Roses) (1982)
- P.S. I Love You (1981)
- Tanikala (1980), story and screenplay
- Maynila, 1970 (1979), screenwriter
- Atsay (1978), screenplay
- Boy Pana (Terror ng Maynila '63) (1978)
- Ligaw na Bulaklak (Wildflower) (1976), story/novel
- Maynila: Sa Mga Kuko ng Liwanag (Manila or Manila in the Claws of Neon (Philippines) or The Nail of Brightness (USA)) (1975), novel
- Sa Kagubatan ng Lunsod (The Jungle in the City) (1975)
- Hayop sa Porma, Hanep sa Ganda (2005), associate director
- Bangkang Papel sa Dagat ng Apoy (1984), director
- Solidaridad: Faith, Hope and Heaven (1989), director
Read more about this topic: Edgardo M. Reyes
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“The question mark is alright when it is all alone when it
is used as a brand on cattle or when it could be used
in decoration but connected with writing it is
completely entirely completely uninteresting.... A
question is a question, anybody can know that a
question is a question and so why add to it the
question mark when it is already there when the
question is already there in the writing.”
—Gertrude Stein (1874–1946)