Authored Books and Novels
Beginning in the early 1960s, Wood wrote at least 80 lurid crime and sex novels in addition to hundreds of short stories and non-fiction pieces for magazines. Titles include Black Lace Drag (1963) (reissued in 1965 as Killer in Drag), Orgy of the Dead (1965), Devil Girls (1967), Death of a Transvestite (1967), The Sexecutives (1968), The Photographer (1969), Take It Out in Trade (1970), The Only House in Town (1970), with Uschi Digard, Necromania (1971), The Undergraduate (1972), A Study of Fetishes and Fantasies (1973), and Fugitive Girls (1974). (In Nightmare of Ecstasy, Maila Nurmi declined Wood's offer to do a nude scene sitting up in a coffin for Necromania.)
In 1965, Wood wrote the quasi-memoir, Hollywood Rat Race (published in 1998). In it, Wood advises new writers to "just keep on writing. Even if your story gets worse, you'll get better", and also recounts tales of dubious authenticity, such as how he and Bela Lugosi entered the world of nightclub cabaret.
In a December 2010 published article at Mondo Film & Video Guide, indie print publisher Feral House, who in the last few years had re-printed dozens of Wood's novels, ended sales on all Wood titles when Wood's estate requested a cease and desist due to uncertainty about whether Wood wrote all the novels published under his name or not.
Read more about this topic: Ed Wood
Famous quotes containing the words books and/or novels:
“When the Day of Judgement dawns and the great conquerors and lawyers and statesmen come to receive their rewards—their crowns, their laurels, their names carved indelibly upon imperishable marble—the Almighty will turn to Peter and will say, not without a certain envy when he sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.””
—Virginia Woolf (1882–1941)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)