East Coast Blues & Roots Music Festival - History

History

The festival began in 1990 as a four day indoor event at The Arts Factory in Byron Bay, drawing a capacity crowd of 6,000 people in its first year. The event moved outdoors to Belongil Fields (1993–1996), then Red Devil Park (1997–2007), where in 2007 capacity was 16,000 attendees a day. The festival moved back to Belongil Fields in 2008–09. After running four stages for some years, it has run five stages since 2008. In 2010 the event moved to a new permanent home at Tyagarah, about 15 minutes drive north of Byron Bay. On most days performances begin around noon and end at midnight.

The festival won the Robert Helpmann Award for Best Contemporary Music Festival in Australia for 2004 and 2005. It was a finalist in the US-based Pollstar Concert Industry Awards for two years, placing the festival alongside names like Montreux and Glastonbury.

In December 2004, Keven Oxford, a director and founder of the event, left the festival and sold his 50% share of the company to a consortium comprising Michael Chugg (managing director of Sydney-based Michael Chugg Entertainment), Daryl Herbert (CEO of Melbourne-based Definitive Events) and Glenn Wheatley (CEO of Melbourne-based Talentworks), who ran the festival with co-founder Peter Noble. Noble bought out the consortium in 2008 and now owns the festival alone.

The festival has sister events including West Coast Blues & Roots Festival, put on by Sunset Events in Western Australia, and the Point Nepean Music Festival which ran in Victoria in 2008, which feature similar artists.

Read more about this topic:  East Coast Blues & Roots Music Festival

Famous quotes containing the word history:

    Let us not underrate the value of a fact; it will one day flower in a truth. It is astonishing how few facts of importance are added in a century to the natural history of any animal. The natural history of man himself is still being gradually written.
    Henry David Thoreau (1817–1862)

    All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.
    Sarah M. Grimke (1792–1873)

    Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
    Bertolt Brecht (1898–1956)