Style
Earth Abides fits into the "post-apocalyptic" sub-genre of Science Fiction. It was published in 1949, four years after the end of World War II and in the earliest stages of the Cold War between the United States and the Soviet Union. While post-apocalyptic fiction is now quite common, Earth Abides distinctly predates many similar well-known novels including Alas, Babylon (1959), A Canticle for Leibowitz (1960), and The Last Ship (1988). It is predated, however by The Last Man (1826), The Scarlet Plague (1912), The Machine Stops (1928), and René Barjavel's Ashes, Ashes (Ravage, 1943), among others.
A common theme of post-apocalyptic works is, "What if the world we know no longer exists.", and each of these books paints a different picture of the future. Earth Abides explores such issues as family structure, education, the meaning and purpose of civilization, and the basic nature of humankind — especially in regard to religion, superstition, and custom. As it was written in the beginning years of the cold war, it lacks some common post-apocalyptic conventions found in later novels: there are no warlords or biker gangs (as in Mad Max); there is no fear of atomic weapons or radiation, no mutants and no warring tribes (as in A Canticle for Leibowitz). When the main character in Earth Abides travels through the country, he notices little sign of there having been violence or civil unrest during the plague period. Many areas seem to have been evacuated, and only in or near hospitals are there large numbers of corpses.
Read more about this topic: Earth Abides
Famous quotes containing the word style:
“A man is free to go up as high as he can reach up to; but I, with all my style and pep, cant get a man my equal because a girl is always judged by her mother.”
—Anzia Yezierska (c. 18811970)
“New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere.”
—Robert Frost (18741963)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone elses style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (19001993)