Earle Brown - Works

Works

  • Home Burial (1949), for piano
  • Three Pieces for Piano (1951)
  • Music for Violin, Cello & Piano (1952)
  • Perspectives (1952), for piano
  • Twenty-Five Pages (1953), for 1-25 pianos
  • Octet I (1953), for eight loudspeakers
  • Indices (1954), for chamber orchestra
  • Forgotten Piece (1954), for piano
  • Folio and 4 Systems (1954), for variable instrumentation
  • Indices (1954)
  • Octet II (1954), for eight loudspeakers
  • Music for Cello and Piano (1955)
  • Four More (1956), for piano
  • The Kind of Bird I Am (1957), for orchestra
  • Pentathis (1958), for chamber ensemble
  • Hodograph I (1959), for chamber ensemble
  • Available Forms I (1961), for chamber orchestra
  • Available Forms II (1962), for two orchestras
  • Novara (1962), for chamber ensemble
  • From Here (1963), for chamber orchestra
  • Times Five (1963), for chamber ensemble
  • Corroboree (1964), for three or two pianos
  • Nine Rarebits (1965), for one or two harpsichords
  • String Quartet (1965)
  • Calder Piece (1966), for four percussionists and mobile
  • Module I (1966), for orchestra
  • Module II (1966), for orchestra
  • Event: Synergy II (1967), for chamber ensemble
  • Module III (1969), for orchestra
  • Small Pieces for Large Chorus (1969)
  • Syntagm III (1970), for chamber ensemble
  • New Piece (1971), for variable instrumentation
  • New Piece Loops (1972), for orchestra and chorus
  • Sign Sounds (1972), for chamber orchestra
  • Time Spans (1972), for orchestra
  • Centering (1973), for solo violin and ensemble
  • Cross Sections and Color Fields (1975), for orchestra
  • Wikiup (1979), sound installation for six independent playing devices
  • Windsor Jambs (1980), for chamber ensemble
  • Folio II (1982), for variable instrumentation
  • Sounder Rounds (1983), for orchestra
  • Tracer (1985), for chamber ensemble
  • Oh, K (1992), for chamber ensemble
  • Tracking Pierrot (1992), for chamber ensemble
  • Summer Suite '95 (1995), for piano
  • Special Events (1999), for chamber ensemble

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    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)

    Reason, the prized reality, the Law, is apprehended, now and then, for a serene and profound moment, amidst the hubbub of cares and works which have no direct bearing on it;Mis then lost, for months or years, and again found, for an interval, to be lost again. If we compute it in time, we may, in fifty years, have half a dozen reasonable hours.
    Ralph Waldo Emerson (1803–1882)

    My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.
    Hannah More (1745–1833)