Further Reading
- Aiyejina, Funso (ed.), A Place in the World: Essays and Tributes in Honour of Earl Lovelace @ 70. University of the West Indies, Trinidad, 2008.
- Aiyejina, Funso. “Salt: A Complex Tapestry”, Trinidad and Tobago Review 18.10-12 (1996): 13-16.
- Dalleo, Raphael. "Cultural Studies and the Commodified Public: Luis Rafael Sánchez's La guaracha del Macho Camacho and Earl Lovelace's The Dragon Can't Dance", Caribbean Literature and the Public Sphere: From the Plantation to the Postcolonial, Charlottesville: University of Virginia Press, 2011.
- Hodge, Merle, "The Language of Earl Lovelace", in Anthurium, Vol. 4, Issue 2, Fall 2006.
- Raja, Masood Ashraf. "We Is All People: The Marginalized East-Indian and the Economy of Difference in Lovelace’s The Dragon Can’t Dance". Caribbean Studies 34 (1): 111–130. 2006.
- Schwarz, Bill (ed.), Caribbean Literature after Independence: The Case of Earl Lovelace. London: Institute for the Study of the Americas, 2008. ISBN 978-1-900039-91-8
- Thomas, H. Nigel. "From ‘Freedom’ to ‘Liberation’: An Interview with Earl Lovelace", World Literature Written in English, 31.1 (1991): 8-20.
Read more about this topic: Earl Lovelace
Famous quotes containing the word reading:
“The logical English train a scholar as they train an engineer. Oxford is Greek factory, as Wilton mills weave carpet, and Sheffield grinds steel. They know the use of a tutor, as they know the use of a horse; and they draw the greatest amount of benefit from both. The reading men are kept by hard walking, hard riding, and measured eating and drinking, at the top of their condition, and two days before the examination, do not work but lounge, ride, or run, to be fresh on the college doomsday.”
—Ralph Waldo Emerson (1803–1882)
“The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.”
—Ursula K. Le Guin (b. 1929)