Twentieth Century
Around 1905-1910 pointillism as practiced by Jan Sluyters, Piet Mondrian and Leo Gestel was flourishing. Between 1911 and 1914 all the latest art movements arrived in the Netherlands one after another including cubism, futurism and expressionism. After World War I, De Stijl (the style) was led by Theo van Doesburg and Piet Mondrian and promoted a pure art, consisting only of vertical and horizontal lines, and the use of primary colors.
The Design Academy was established in 1947.
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Henk Helmantel (1969)
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Matthijs Roling (1997)
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Gerrit Rietveld (1917)
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Leo Gestel (1913)
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John Rädecker (1950)
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Theo van Doesburg (1917)
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Aldo van Eyck and Hannie van Eyck (1989)
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Jan Snoeck (2001)
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Read more about this topic: Dutch Art
Famous quotes related to twentieth century:
“The nineteenth century planted the words which the twentieth ripened into the atrocities of Stalin and Hitler. There is hardly an atrocity committed in the twentieth century that was not foreshadowed or even advocated by some noble man of words in the nineteenth.”
—Eric Hoffer (19021983)
“Doubt, it seems to me, is the central condition of a human being in the twentieth century.”
—Salman Rushdie (b. 1947)
“Advertising is the greatest art form of the twentieth century.”
—Marshall McLuhan (19111980)
“War is bestowed like electroshock on the depressive nation; thousands of volts jolting the system, an artificial galvanizing, one effect of which is loss of memory. War comes at the end of the twentieth century as absolute failure of imagination, scientific and political. That a war can be represented as helping a people to feel good about themselves, their country, is a measure of that failure.”
—Adrienne Rich (b. 1929)
“Film is more than the twentieth-century art. Its another part of the twentieth-century mind. Its the world seen from inside. Weve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if theres anything about us more important than the fact that were constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)