Nineteenth Century
The Hague School were around at the start of the nineteenth century. They included Jozef Israëls. Jacob Maris showed all that is gravest or brightest in the landscape of Holland, all that is heaviest or clearest in its atmosphere. "No painter," says M. Philippe Zilcken, " has so well expressed the ethereal effects, bathed in air and light through floating silvery mist, in which painters delight, and the characteristic remote horizons blurred by haze; or again, the grey yet luminous weather of Holland.".
Amsterdam Impressionism was current during the middle of the Nineteenth century at about the same time as French Impressionism. The painters put their impressions onto canvas with rapid, visible strokes of the brush. They focused on depicting the everyday life of the city. Late nineteenth-century Amsterdam was a bustling centre of art and literature. Famous painters among the Amsterdam Impressionists include George Hendrik Breitner, Willem de Zwart, Isaac Israëls, Simon Duiker and Jan Toorop. George Hendrik Breitner introduced a realism to the Netherlands that created shock waves similar to that of Courbet and Manet's in France. He was the painter of city views par excellence: wooden foundation piles by the harbour, demolition work and construction sites in the old centre, horse trams on the Dam, or canals in the rain. By the turn of the century Breitner was a famous painter in the Netherlands, as demonstrated by a highly successful retrospective exhibition at Arti et Amicitiae in Amsterdam (1901). When the streets of Amsterdam are grey and rainy, people of Amsterdam whisper grimly "Echt Breitnerweer" (Typical Breitnerweather).
Read more about this topic: Dutch Art
Famous quotes related to nineteenth century:
“Of the creative spirits that flourished in Concord, Massachusetts, during the middle of the nineteenth century, it might be said that Hawthorne loved men but felt estranged from them, Emerson loved ideas even more than men, and Thoreau loved himself.”
—Leon Edel (b. 1907)
“The taste for freedom, the fashion and cult of happiness of the majority, that the nineteenth century is infatuated with was only a heresy in his eyes that would pass like others.”
—Stendhal [Marie Henri Beyle] (1783–1842)
“In the nineteenth century the problem was that God is dead; in the twentieth century the problem is that man is dead.”
—Erich Fromm (1900–1980)
“Literature always anticipates life. It does not copy it, but moulds it to its purpose. The nineteenth century, as we know it, is largely an invention of Balzac.”
—Oscar Wilde (1854–1900)
“The nineteenth century is a turning point in history, simply on account of the work of two men, Darwin and Renan, the one the critic of the Book of Nature, the other the critic of the books of God. Not to recognise this is to miss the meaning of one of the most important eras in the progress of the world.”
—Oscar Wilde (1854–1900)