Career
He was born in Chicago, Illinois, United States. Tumatoe was one of the first performers to use a wireless mic and guitar pick-up which allowed him to roam through the crowds during earlier signature tune "Red Pepper Hot". Tumatoe opened for several blues and rock musicians including Muddy Waters, Buddy Guy, B.B. King, George Thorogood, Fabulous Thunderbirds, Doobie Brothers and John Fogerty. Fogerty produced the 1988 live album, I Like My Job.
Tumatoe's songs are a mix of comedy and blues. He is best known for his regular performances on The Bob & Tom Show syndicated radio show, including the weekly "NFL Song", airing nationally, and "Lord Help Our Colts", which airs locally in Indiana after the end of the national program. These pieces often focus on the previous week's games, as well as the upcoming week's games. He also sung the namesake of Factory Air with the power trio.
Tumatoe tours extensively throughout the Midwest with his band as 'Duke Tumatoe and the Power Trio'. When not on the road he teaches guitar lessons at The Music Station music store in Avon, Indiana.
Read more about this topic: Duke Tumatoe
Famous quotes containing the word career:
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)