Dual-band Blade Antenna - Introduction

Introduction

A typical monopole antenna, pictured to the right, has an omni-directional pattern and is limited in its frequency range. Please keep in mind that an omni-directional (see omnidirectional antenna) radiation pattern applies to the azimuth patterns and does exhibit a null at zenith.

A monopole antenna can be thought of as a dipole antenna where one end of the dipole antenna now becomes the ground plane for said monopole antenna. By this line of conceptual thinking, one can easily reach the conclusion that the radiation emanating from a monopole antenna exists in half the space of similar dipole antenna. Therefore, the maximum gain is twice that, or an addition 3dB, of the maximum gain of typical dipole. Hence the nominal value of maximum for a monopole antenna is about 5.15dBi.

Stutzman puts is succinctly as follows:

... A monopole is a dipole that has been divided in half at its center feed point and fed against a ground plane...

This article covers one type of dual band blade monopoles. This is the slot inside a monopole. Computational Electromagnetic Modeling (CEM) will be used to give some graphics of operations for a more conceptual understanding.

Read more about this topic:  Dual-band Blade Antenna

Famous quotes containing the word introduction:

    The role of the stepmother is the most difficult of all, because you can’t ever just be. You’re constantly being tested—by the children, the neighbors, your husband, the relatives, old friends who knew the children’s parents in their first marriage, and by yourself.
    —Anonymous Stepparent. Making It as a Stepparent, by Claire Berman, introduction (1980, repr. 1986)

    Do you suppose I could buy back my introduction to you?
    S.J. Perelman, U.S. screenwriter, Arthur Sheekman, Will Johnstone, and Norman Z. McLeod. Groucho Marx, Monkey Business, a wisecrack made to his fellow stowaway Chico Marx (1931)

    For the introduction of a new kind of music must be shunned as imperiling the whole state; since styles of music are never disturbed without affecting the most important political institutions.
    Plato (c. 427–347 B.C.)