Dresden Codex - History

History

Johann Christian Götze, Director of the Royal Library at Dresden, purchased the codex from a private owner in Vienna in 1739. How it came to Vienna is unknown. It is speculated that it was sent by Hernán Cortés as a tribute to King Charles I of Spain in 1519. Charles had appointed Cortés governor and captain general of the newly conquered Mexican territory. The codex has been in Europe ever since.

In 1810, Alexander von Humboldt published five pages from the Dresden Codex in his atlas Vues des Cordillères et Monuments des Peuples Indigènes de l’Amérique. The state library of Saxony, the Royal Library in Dresden, first published the codex in 1848. It was not until 1853 that Charles Étienne Brasseur de Bourbourg identified the Dresden Codex as a Mayan manuscript.

In 1835, the codex was placed between glass panes in two parts measuring 1.85 metres (6.1 feet) and 1.77 metres (5.8 feet) in length.

Between 1880 and 1900, Dresden librarian Ernst Wilhelm Förstemann succeeded in deciphering the calendar section including the Maya numerals used in the codex. These numbers are based on a vigesimal (base-20) numeral system, made up of three symbols: zero (shell shape), one (a dot) and five (a bar). Important milestones in the subsequent decoding the non-calendar section were the assignment of gods to specific glyphs by Paul Schellhas in 1897 and Yuri Knorozov’s phonetic approach to deciphering in the 1950s. Knorozov's work was based on the De Landa alphabet, developed by Diego de Landa around 1566.

The library that held the codex was bombed and suffered serious damage during the firebombing of Dresden in World War II. The Dresden Codex was heavily water damaged. The codex was meticulously restored; however, some of the pages were returned to the protective glass cabinet out of sequence. They have remained this way because the water damage caused some of the painted areas to adhere to the glass.

Read more about this topic:  Dresden Codex

Famous quotes containing the word history:

    It’s a very delicate surgical operation—to cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and we’ll do the best we can.
    Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)

    False history gets made all day, any day,
    the truth of the new is never on the news
    False history gets written every day
    ...
    the lesbian archaeologist watches herself
    sifting her own life out from the shards she’s piecing,
    asking the clay all questions but her own.
    Adrienne Rich (b. 1929)

    The history of all countries shows that the working class exclusively by its own effort is able to develop only trade-union consciousness.
    Vladimir Ilyich Lenin (1870–1924)