Dream Caused By The Flight of A Bee Around A Pomegranate A Second Before Awakening - Description

Description

In this “hand-painted dream photograph” — as Dalí generally called his paintings — we find a seascape of distant horizons and calm waters, perhaps Port Lligat, amidst which Gala is the subject of the scene. Next to the naked body of the sleeping woman, which levitates above a flat rock that floats above the sea, Dalí depicts two suspended droplets of water and a pomegranate, a Christian symbol of fertility and resurrection. Above the pomegranate flies a bee, an insect that traditionally symbolizes the Virgin.

In the upper left of the painting a fish bursts out of the pomegranate, and in turn spews out a tiger who then spews out another tiger and a rifle with fixed bayonet. A second later the bayonet will sting Gala in the arm. Above them an elephant with long flamingo legs, found in other compositions of the period such as Dalí's The Temptations of St. Anthony, carries on its back an obelisk — like Bernini’s Elephant and Obelisk in the Piazza Santa Maria sopra Minerva in Rome.

Read more about this topic:  Dream Caused By The Flight Of A Bee Around A Pomegranate A Second Before Awakening

Famous quotes containing the word description:

    The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St. Paul’s, like the editions of Balbec and Palmyra.
    Horace Walpole (1717–1797)

    It [Egypt] has more wonders in it than any other country in the world and provides more works that defy description than any other place.
    Herodotus (c. 484–424 B.C.)

    Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.
    Paul Tillich (1886–1965)