History
The legend of Dragon's Beard Candy was first notably practiced during the Chinese Han Dynasty. As the story recounts, an imperial court chef entertained the Emperor one day by performing steps involved in making a new confection. The process of making the candy involved stretching a dough-like mixture composed from rice flour into small, thin strands. These strands reminded the Emperor of a dragon's beard, and were sticky enough to adhere to one's face quite easily, so thus the concoction was there-forth named as Dragon's Beard Candy. The name may also be attributed to the status of the mythical dragon as a symbol of Chinese Emperor, so presenting the confection as Dragon's Beard Candy was deemed acceptable due to the social nature of the candy, as it was reserved only for the ruling class, likely due additionally to the complexity of the preparation process. Dragon's Beard Candy provided a source of conflict several centuries later, however, as during the Chinese Cultural Revolution the Red Guard, acting in accordance to the orders of the Communist Party of China, forbade the Chinese populace to hold activities that could be attributed to the Han Dynasty. Because the initially rare nature of the candy was at this point combined with government enforcement of disdaining this art, the craft of making Dragon's Beard Candy became even more isolated and sparsely practiced. Nevertheless, in recent years, the art has resurfaced in tourist destinations such as various street festivals, and has even spread to farther reaches of the globe through dedicated masters of the task. One of the more famous instances of this occurrence involved the spread of Dragon's Beard Candy to Montreal, Canada, through a Hong Kong-born Canadian named Johnny Chin who began practicing the theatrical candy-making art in Montreal in 1991.
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Famous quotes containing the word history:
“The principle that human nature, in its psychological aspects, is nothing more than a product of history and given social relations removes all barriers to coercion and manipulation by the powerful.”
—Noam Chomsky (b. 1928)
“There is no history of how bad became better.”
—Henry David Thoreau (1817–1862)
“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
—John Dos Passos (1896–1970)