Doug Kershaw - Later Life

Later Life

Despite the success of his solo career, Kershaw was plagued by depression and sorrow. His father had committed suicide when he was only seven. Marrying his wife, Pam, at the Houston Astrodome on June 21, 1975, Kershaw began raising his own family that included five sons - Douglas, Victor, Zachary, Tyler, and Elijah; and two grandsons and a granddaughter. His son, Tyler, plays drums in his band as well as manages his shows. Although he continued to perform and record, his albums of the 1970s failed to duplicate the commercial successes of "Louisiana Man" and "Diggy Diggy Lo".

Kershaw rebounded with his biggest selling hit, "Hello Woman", which reached the country music Top 40. By 1984, Kershaw's battle with drug and alcohol abuse came to a close and his previously erratic behavior changed for the better.

In 1988, he recorded a duet, "Cajun Baby", with Hank Williams, Jr., that became a Top 50 country hit. Kershaw released a French-language album, Two Step Fever, in 1999, and Michael Doucet of Beausoleil is featured on the duet "Fievre De Deux Etapes". Hot Diggity Doug was released in mid-2000 and Still Cajun After All These Years followed in early 2001.

Kershaw formerly owned and operated The Bayou House, a restaurant in Lucerne, Colorado, but parted ways with his partners in 2007 due to his displeasure with management and ambiance.

In 2009, Doug was inducted into The Louisiana Music Hall of Fame.

Read more about this topic:  Doug Kershaw

Famous quotes containing the word life:

    In soliciting donations from his flock, a preacher may promise eternal life in a celestial city whose streets are paved with gold, and that’s none of the law’s business. But if he promises an annual free stay in a luxury hotel on Earth, he’d better have the rooms available.
    Unknown. Charlotte Observer (October 6, 1989)

    The new man is born too old to tolerate the new world. The present conditions of life have not yet erased the traces of the past. We run too fast, but we still do not move enough.... He looks but he does not contemplate, he sees but he does not think. He runs away from time, which is made of thought, and yet all he can feel is his own time, the present.
    Eugenio Montale (1896–1981)