Career
In 1923 Don Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He soon began writing arrangements, and Redman did much to formulate the sound that was to become big band Swing. (It is significant to note that with a few exceptions, Henderson did not start arranging until the mid-1930s. Redman did the bulk of arrangements (through 1927) and after he left, Benny Carter took over arranging for the Henderson band.)
His importance in the formulation of arranged hot jazz can not be overstated; a chief trademark of Redman's arrangements was that he harmonized melody lines and pseudo-solos within separate sections; for example, clarinet, sax, or brass trios. He played these sections off each other, having one section punctuate the figures of another, or moving the melody around different orchestral sections and soloists. His use of this technique was sophisticated, highly innovative, and formed the basis of much big band jazz writing in the following decades.
In 1927 Jean Goldkette convinced Redman to join the Detroit, Michigan-based band McKinney's Cotton Pickers as their musical director and leader. He was responsible for their great success and arranged over half of their music (splitting the arranging duties with John Nesbitt through 1931). Redman was occasionally featured as their vocalist, displaying a charming, humorous vocal style.
Read more about this topic: Don Redman
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—Barbara Dale (b. 1940)
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—Henry David Thoreau (1817–1862)
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—Lawrence Kutner (20th century)