Don Procopio - Performance History

Performance History

There are three printed scores of Don Procopio, a vocal score published in 1905 before the premiere, a full score and a second vocal score, all of which are misleading by failing to distinguish genuine Bizet from fake (entr’acte and recitatives). The second and third scores contain two airs for Don Procopio adapted from Bizet’s songs; additional instruments were added to the scoring. The autograph score of Don Procopio was discovered in the papers left by Daniel Auber at his death in 1871 and it was acquired from the Auber family by the Paris Conservatoire in 1894.

The first production, in the revised edition by Charles Malherbe, was at the Salle Garnier in Monte Carlo, Monaco on 10 March 1906, in a double-bill with Pagliacci. There were performances in Barcelona in 1907 and Rome in 1908. The original version was performed at the Théatre Municipal in Strasbourg on 6 February 1958.

A recording in Russian, conducted by Vladimir Yesipov, was issued by Melodiya in 1962. The opera has been broadcast (in Italian) by the BBC, and in 1975 by French Radio.

Read more about this topic:  Don Procopio

Famous quotes containing the words performance and/or history:

    The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
    Viola Spolin (b. 1911)

    I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passé abstractions like beauty, nobility, and greatness have a shifting but continuing validity.
    Camille Paglia (b. 1947)