Career
Lawrence worked for Anglo for four years, drawing the adventures of superhero Marvelman and various Western comic strips. After an argument with Anglo over pay rates, he found work with Odhams Press, drawing Wells Fargo for Zip, and with the Amalgamated Press (now renamed Fleetway Publications), contributing episodes of Billy the Kid to the comic Sun. When the ailing Sun merged with Lion, Lawrence switched to swashbuckling historical strips, Olac the Gladiator, Karl the Viking and Maroc the Mighty.
A colour strip produced for Lion Annual 1965 ('Karl the Viking and the Tideless Sea') led to Lawrence being offered colour work in Bible Story magazine and the sprawling science fantasy The Rise and Fall of the Trigan Empire which debuted in Ranger in 1965. Lawrence was to draw the strip in the pages of Ranger and Look and Learn until 1976.
Lawrence departed after discovering how widely the strip was syndicated abroad and was immediately offered work on a new Dutch comic called Eppo. After an abortive start on a strip entitled Commander Grek written by his friend Vince Wernham, Lawrence found success with Storm. The first volume, The Deep World, was based on a concept by Martin Lodewijk but written by Philip Dunn. A further 22 volumes followed.
Lawrence did not limit himself solely to Trigan Empire and Storm and other strips he drew include Fireball XL5 and The Adventures of Tarzan for TV Century 21, Carrie for the men's magazine Mayfair and a number of one-off strips for various Dutch publishers.
A number of partly completed and unpublished comic strips appeared in the series Don Lawrence Collection, published in the Netherlands. The final Storm serial (completed by Lawrence's former assistant Liam Sharp appeared in the magazine Pandarve published by the Don Lawrence Fanclub in 1999-2001. One of his last illustrations was the cover of volume 6 of the Storm -the collection- from 2002.
Read more about this topic: Don Lawrence
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)