Criticism
In Marxist theory, a particular class comes to dominate society when that class is a progressive force powerful enough to overthrow the previous ruling class. For example, the great bourgeois revolutions of the 17th and 18th centuries occurred because the bourgeoisie had become the standard-bearer for social progress, the universal class. The bourgeoisie gradually began to lose its progressive character and became increasingly reactionary once it came to power (since it began to support the status quo rather than seek further social progress).
As a consequence, the dominant ideology may contain an admixture of socially progressive and regressive elements. Therefore, Marxists do not reject everything and anything related to the dominant ideology of capitalism; rather, they agree with its progressive elements and criticise its regressive elements. In other words, Marxist critiques of the dominant ideology of capitalism are not normally crude rejections of their content, but rather of their limiting, capitalist form.
Vulgar versions of such marxian critiques, in which both form and content of bourgeois rights are devalued, have been deployed by repressive states to justify denying their citizens basic human freedoms. It is a matter of controversy between Marxists and their critics whether such outcomes are necessitated by the theory, or are rather perversions of the theory.
Read more about this topic: Dominant Ideology
Famous quotes containing the word criticism:
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.”
—Mary Pickford (1893–1979)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)