Worship
In 249 BC and 207 BC, the Roman Senate under Senator Lucius Catelli ordained special festivals to appease Dis Pater and Proserpina. Every hundred years, a festival was celebrated in his name. According to legend, a round marble altar, Altar of Dis Pater and Proserpina (Latin: Ara Ditis Patris et Proserpinae), was miraculously discovered by the servants of a Sabine called Valesius, the ancestor of the first consul. The servants were digging in the Tarentum on the edge of the Campus Martius to lay foundations following instructions given to Valesius's children in dreams, when they found the altar 20 feet (6 m) underground. Valesius reburied the altar after three days of games. Sacrifices were offered to this altar during the Ludi Saeculares or Ludi Tarentini. It may have been uncovered for each occasion of the games, to be reburied afterwards, a clearly chthonic tradition of worship. It was rediscovered in 1886–87 beneath the Corso Vittorio Emanuele in Rome.
In addition to being considered the ancestor of the Gauls, Dis Pater was sometimes identified with the Sabine god Soranus. In southern Germany and the Balkans, Dis Pater had a Celtic goddess, Aericura, as a consort. Dis Pater was rarely associated with foreign deities in the shortened form of his name, Dis.
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Famous quotes containing the word worship:
“The worship of Mammon may be vulgar or immoral, but it persists while other religions falter and disappear.”
—Mason Cooley (b. 1927)
“With respect to a true culture and manhood, we are essentially provincial still, not metropolitan,—mere Jonathans. We are provincial, because we do not find at home our standards; because we do not worship truth, but the reflection of truth; because we are warped and narrowed by an exclusive devotion to trade and commerce and manufacturers and agriculture and the like, which are but means, and not the end.”
—Henry David Thoreau (1817–1862)
“Always the seer is a sayer. Somehow his dream is told: somehow he publishes it with solemn joy: sometimes with pencil on canvas: sometimes with chisel on stone; sometimes in towers and aisles of granite, his soul’s worship is builded; sometimes in anthems of indefinite music; but clearest and most permanent, in words.”
—Ralph Waldo Emerson (1803–1882)