Music Video Director's Cut
The music video for the 2006 Academy Award-nominated song Listen, performed by Beyoncé Knowles, received a director's cut by Diane Martel. This version of the video was later included on Knowles' B'Day Anthology Video Album (2007). Janet and Michael Jackson's Scream and Weezer's el Scorcho, both directed by Mark Romanek, and U2's One, directed by Anton Corbijn, also have director's cut versions. Linkin Park also has a director's cut version for their music video Faint (which was also directed by Mark Romanek) in which one of the band members spray paints the words "En Proceso" on a wall. Britney Spears' music video Gimme More was first released as a director's cut on iTunes, with the official video released 3 days later. Many other director's cut music videos contain sexual content that can't be shown on TV thus creating alternative scenes, such as 30 Seconds to Mars's Hurricane, and in some cases, alternative videos, such as in the case of Spears' 2008 video for Womanizer.
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Famous quotes containing the words music, video, director and/or cut:
“Sweet spring, full of sweet days and roses,
A box where sweets compacted lie;
My music shows ye have your closes,
And all must die.”
—George Herbert (1593–1633)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
“When General Motors has to go to the bathroom ten times a day, the whole country’s ready to let go. You heard of that market crash in ‘29? I predicted that.... I was nursing a director of General Motors. Kidney ailment, they said; nerves, I said. Then I asked myself, “What’s General Motors got to be nervous about?” “Overproduction,” I says. “Collapse.””
—John Michael Hayes (b. 1919)
“Emperor Joseph II: Your work is ingenious. It’s quality work, and there are simply too many notes, that’s all. Just cut a few and it will be perfect.
Mozart: Which few did you have in mind, majesty?”
—Peter Shaffer (b. 1926)