Work
Diodorus' universal history, which he named Bibliotheca historica ("Historical Library"), was immense and consisted of 40 books, of which 1–5 and 11–20 survive: fragments of the lost books are preserved in Photius and the excerpts of Constantine Porphyrogenitus.
It was divided into three sections. The first six books treated the mythic history of the non-Hellenic and Hellenic tribes to the destruction of Troy and are geographical in theme, and describe the history and culture of Ancient Egypt (book I), of Mesopotamia, India, Scythia, and Arabia (II), of North Africa (III), and of Greece and Europe (IV–VI).
In the next section (books VII–XVII), he recounts the history of the world from the Trojan War down to the death of Alexander the Great. The last section (books XVII to the end) concerns the historical events from the successors of Alexander down to either 60 BC or the beginning of Julius Caesar's Gallic Wars. (The end has been lost, so it is unclear whether Diodorus reached the beginning of the Gallic War as he promised at the beginning of his work or, as evidence suggests, old and tired from his labours he stopped short at 60 BC.) He selected the name "Bibliotheca" in acknowledgment that he was assembling a composite work from many sources. Identified authors on whose works he drew include Hecataeus of Abdera, Ctesias of Cnidus, Ephorus, Theopompus, Hieronymus of Cardia, Duris of Samos, Diyllus, Philistus, Timaeus, Polybius, and Posidonius.
His account of gold mining in Nubia in eastern Egypt is one of the earliest extant texts on the topic, and describes in vivid detail the use of slave labour in terrible working conditions.
Read more about this topic: Diodorus Siculus
Famous quotes containing the word work:
“I can’t work without a model. I won’t say I turn my back on nature ruthlessly in order to turn a study into a picture, arranging the colors, enlarging and simplifying; but in the matter of form I am too afraid of departing from the possible and the true.”
—Vincent Van Gogh (1853–1890)
“Writing a book I have found to be like building a house. A man forms a plan, and collects materials. He thinks he has enough to raise a large and stately edifice; but after he has arranged, compacted and polished, his work turns out to be a very small performance. The authour however like the builder, knows how much labour his work has cost him; and therefore estimates it at a higher rate than other people think it deserves,”
—James Boswell (1740–1795)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)