Famous quotes containing the words dick, goddard, big, chuck, john, show and/or era:
“Science fiction writers, I am sorry to say, really do not know anything. We cant talk about science, because our knowledge of it is limited and unofficial, and usually our fiction is dreadful.”
—Philip K. Dick (19281982)
“There is no mystery in a looking glass until someone looks into it. Then, though it remains the same glass, it presents a different face to each man who holds it in front of him. The same is true of a work of art. It has no proper existence as art until someone is reflected in itand no two will ever be reflected in the same way. However much we all see in common in such a work, at the center we behold a fragment of our own soul, and the greater the art the greater the fragment.”
—Harold C. Goddard (18781950)
“On our streets it is the sight of a totally unknown face or figure which arrests the attention, rather than, as in big cities, the strangeness of occasionally seeing someone you know.”
—For the State of Vermont, U.S. public relief program (1935-1943)
“The chuck wagon carries the food and utensils for the range kitchen. Man-at-the-pot is the first buckaroo to pick up the coffee pot when out with the chuck wagons. It becomes his duty to pour the coffee for the outfit. Come and get her before I throw her out is the time honored mess call.”
—Administration in the State of Neva, U.S. public relief program (1935-1943)
“I have a Vision of the Future, chum.
The workers flats in fields of soya beans
Tower up like silver pencils, score on score.”
—Sir John Betjeman (19061984)
“Doesnt that show what an old man I am, when I can say to a mother I love your daughter, and not get the reply what are your intentions, and what is your income?”
—Lewis Carroll [Charles Lutwidge Dodgson] (18321898)
“It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.... Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
—George Steiner (b. 1929)