Theory
Using the twelve notes of the chromatic scale, twelve of each of the three major scales (those with a major third/triad: Ionian, Lydian, and Mixolydian), twelve of each of the three minor scales (those with a minor third/triad: Dorian, Phrygian, and Aeolian), and twelve Locrian scales can be played, totaling eighty-four diatonic scales. The modern musical keyboard, with its black keys grouped in twos and threes, is essentially diatonic; this arrangement not only helps musicians to find their bearings on the keyboard, but simplifies the system of key signatures compared with what would be necessary for a continuous alternation of black and white keys. The black (or "short") keys were an innovation that allows the adjacent positioning of most of the diatonic whole-steps (all in the case of C major), with significant physical and conceptual advantages.
Read more about this topic: Diatonic Scale
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“Freud was a hero. He descended to the “Underworld” and met there stark terrors. He carried with him his theory as a Medusa’s head which turned these terrors to stone.”
—R.D. (Ronald David)
“We commonly say that the rich man can speak the truth, can afford honesty, can afford independence of opinion and action;—and that is the theory of nobility. But it is the rich man in a true sense, that is to say, not the man of large income and large expenditure, but solely the man whose outlay is less than his income and is steadily kept so.”
—Ralph Waldo Emerson (1803–1882)
“No theory is good unless it permits, not rest, but the greatest work. No theory is good except on condition that one use it to go on beyond.”
—André Gide (1869–1951)