Deviant Art - History

History

DeviantArt started as a site connected with people who took computer applications and modified them to their own tastes, or who “deviated” the applications from the originals designs. As the site grew, members in general became known as “deviants” and submissions as “deviations”. DeviantArt was originally launched on August 7, 2000 by Scott Jarkoff, Matt Stephens, Angelo Sotira and others, as part of a larger network of music-related websites called the Dmusic Network. The site flourished largely because of its unique offering and the contributions of its core member base and a team of volunteers after its launch, but was officially incorporated in 2001 about eight months after launch.

DeviantArt was loosely inspired by projects like Winamp facelift, customize.org, deskmod.com, screenphuck.com, and skinz.org, all application skin-based websites. Sotira entrusted all public aspects of the project to Scott Jarkoff as an engineer and visionary to launch the early program. All three co-founders shared backgrounds in the application skinning community, but it was Matt Stephens whose major contribution to deviantArt was the suggestion to take the concept further than skinning and more toward an "art community". Many of the individuals involved with the initial development and promotion of deviantArt still hold positions with the project, from administrators to volunteers serving as gallery directors and Message Network Administration. Angelo Sotira currently serves as the chief executive officer of deviantArt, Inc.

On November 14, 2006, deviantArt gave its users the option to submit their works under Creative Commons licenses giving the artists the right to choose how their works can be used. A Creative Commons license is one of several public copyright licenses that allow the distribution of copyrighted works.

On September 30, 2007, a film category was added to deviantArt, allowing artists to upload videos. An artist and other viewers can add annotations to sections of the film, giving comments or critiques to the artist about a particular moment in the film.

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