Social Status
Traditionally, no stigma was attached to the devadasi or to her children, and other members of their caste received them on terms of equality. The children of a devadasi were considered legitimate and devadasis themselves were outwardly indistinguishable from married women of their own community.
Furthermore, a devadasi was believed to be immune from widowhood and was called akhanda saubhagyavati ("woman never separated from good fortune"). Since she was wedded to a divine deity, she was supposed to be one of the especially welcome guests at weddings and was regarded as a bearer of good fortune. At weddings, people would receive a string of the tali (wedding lock) prepared by her, threaded with a few beads from her own necklace. The presence of a devadasi on any religious occasion in the house of an upper caste member was regarded as sacred and she was treated with due respect and was presented with gifts.
Devadasis nurtured the arts - dance and music - to the high levels of today. They were torchbearers of these arts throughout the history of India under various rulers, passing on their legacy until the end of the 19th century. After that period the upper castes started learning these arts, taking away the devadasis' only means of subsistence.
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