Deutsche Physik - Effect On The German Nuclear Program

Effect On The German Nuclear Program

It is occasionally put forth that there is a great irony in the Nazis' labeling modern physics as "Jewish science", since it was exactly modern physics—and the work of many European exiles—which was used to create the atomic bomb. Even if the German government had not embraced Lenard and Stark's ideas, the German antisemitic agenda was enough by itself to destroy the Jewish scientific community in Germany. Furthermore, the German nuclear energy project was never pursued with anywhere near the vigor of the Manhattan Project in the United States, and for that reason would likely not have succeeded in any case. The movement did not actually go as far as preventing the nuclear energy scientists from using quantum mechanics and relativity, but the education of young scientists and engineers suffered, not only from the loss of the Jewish scientists but also from political appointments and other interference. In 1938, Himmler wrote to Heisenberg that he could discuss modern physics but not mention Jewish scientists such as Bohr and Einstein in connection with it. The loss of so much science affected the war little in atomic energy because they lacked the necessary industrial resources to go beyond at most a few small power reactors. It greatly affected their aerodynamics research, but that was so far ahead before the Nazis took over that the Allies did not catch up until after the war. Presumably, it had more decisive effects on other areas of war related research to which physicists normally contribute, such as radar, communications and chemistry.

Read more about this topic:  Deutsche Physik

Famous quotes containing the words effect, german, nuclear and/or program:

    Let’s take the instant by the forward top;
    For we are old, and on our quick’st decrees
    Th’ inaudible and noiseless foot of time
    Steals ere we can effect them.
    William Shakespeare (1564–1616)

    Many of our German friends before the war would come as our guest to hunt wild pig. I refused to invite Goering. I could not tolerate his killing a wild pig— seemed too much like brother against brother.
    Joseph L. Mankiewicz, U.S. director, screenwriter. Joseph L. Mankiewicz. Countess (Danielle Darrieux)

    Could it not be that just at the moment masculinity has brought us to the brink of nuclear destruction or ecological suicide, women are beginning to rise in response to the Mother’s call to save her planet and create instead the next stage of evolution? Can our revolution mean anything else than the reversion of social and economic control to Her representatives among Womankind, and the resumption of Her worship on the face of the Earth? Do we dare demand less?
    Jane Alpert (b. 1947)

    The square dance fiddler’s first concern is to carry a tune, but he must carry it loud enough to be heard over the noise of stamping feet, the cries of the “caller,” and the shouts of the dancers. When he fiddles, he “fiddles all over”; feet, hands, knees, head, and eyes are all busy.
    State of Oklahoma, U.S. public relief program (1935-1943)