Criticism
In a Daily Telegraph article published in 2003 Simon Singh criticised Brown's early TV appearances, arguing that he presented standard magic and mentalism effects—such as the classic Ten Card Poker Deal trick—as genuine psychological manipulation. On Brown's television and live shows he often appears to show the audience how a particular effect was created—claiming to use techniques such as subliminal suggestion, hypnosis, and body language reading. Singh's suggestion is that these explanations are dishonest. Furthermore, Singh took exception to the programme's website being categorised under Channel 4's "Science" section. The mini-site was moved to Entertainment for later series.
In an October 2010 interview, Brown conceded that Singh may have had a point, explaining that at the start of his television career "I was overstating the case, overstating my skills. I thought there'll only be one show, there'll never be a repeat, so I might as well go for it." In his book Tricks of the Mind, Brown writes,
"I am often dishonest in my techniques, but always honest about my dishonesty. As I say in each show, 'I mix magic, suggestion, psychology, misdirection and showmanship'. I happily admit cheating, as it's all part of the game. I hope some of the fun for the viewer comes from not knowing what's real and what isn't. I am an entertainer first and foremost, and I am careful not to cross any moral line that would take me into manipulating people's real-life decisions or belief systems."Brown claims to never use actors or "stooges" in his work without informing the viewers. In Tricks of the Mind, Brown writes that to use such a ploy is "artistically repugnant and simply unnecessary"; furthermore, he "would not want any participant to watch the TV show when it airs and see a different or radically re-edited version of what he understood to have happened".
Read more about this topic: Derren Brown
Famous quotes containing the word criticism:
“Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.”
—Henry David Thoreau (1817–1862)
“A tailor can adapt to any medium, be it poetry, be it criticism. As a poet, he can mend, and with the scissors of criticism he can divide.”
—Franz Grillparzer (1791–1872)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)