Style
Thoroughly educated and with a keen understanding of literary tradition, Mahon came out of the tumult of Northern Ireland with a formal, moderate, even restrained poetic voice. In an era of free verse, Mahon has often written in received forms, using a broadly applied version of iambic pentameter that, metrically, resembles the "sprung foot" verse of Gerard Manley Hopkins. Some poems rhyme. Even the Irish landscape itself is never all that far from the classical tradition, as in his poem "Achill":
- Croagh Patrick towers like Naxos over the water
- And I think of my daughter at work on her difficult art
- And wish she were with me now between thrush and plover,
- Wild thyme and sea-thrift, to lift the weight from my heart.
He has also explored the genre of ekphrasis: the poetic reinterpretation of visual art. In that respect he has been interested in 17th century Dutch and Flemish art.
Mahon has been cited as a major influence by a number of Irish poets, including Seamus Heaney, Eavan Boland and Eamon Grennan.
Read more about this topic: Derek Mahon
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“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“One never tires of what is well written, style is life! It is the very blood of thought!”
—Gustave Flaubert (1821–1880)