Style
Thoroughly educated and with a keen understanding of literary tradition, Mahon came out of the tumult of Northern Ireland with a formal, moderate, even restrained poetic voice. In an era of free verse, Mahon has often written in received forms, using a broadly applied version of iambic pentameter that, metrically, resembles the "sprung foot" verse of Gerard Manley Hopkins. Some poems rhyme. Even the Irish landscape itself is never all that far from the classical tradition, as in his poem "Achill":
- Croagh Patrick towers like Naxos over the water
- And I think of my daughter at work on her difficult art
- And wish she were with me now between thrush and plover,
- Wild thyme and sea-thrift, to lift the weight from my heart.
He has also explored the genre of ekphrasis: the poetic reinterpretation of visual art. In that respect he has been interested in 17th century Dutch and Flemish art.
Mahon has been cited as a major influence by a number of Irish poets, including Seamus Heaney, Eavan Boland and Eamon Grennan.
Read more about this topic: Derek Mahon
Famous quotes containing the word style:
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)
“A man is free to go up as high as he can reach up to; but I, with all my style and pep, can’t get a man my equal because a girl is always judged by her mother.”
—Anzia Yezierska (c. 1881–1970)