Demon Knight - Production

Production

Unlike episodes of the HBO series, the story was not ripped from the pages of EC Comics. The first draft of the script was written in 1987, two years prior to the HBO series' debut, and it was first intended to be made into a film by director Tom Holland, who planned to shoot it as a followup to Child's Play. Holland hired an FX team to do preliminary sketches, but he ultimately went on to direct the box-office bomb Fatal Beauty.

Next, the script wound up in the hands of Pumpkinhead screenwriter Mark Carducci, who sat on it for several years before it was given to Pet Semetary director Mary Lambert. Lambert had some radical ideas for the script, including casting an African American as Brayker to create a theme that the oppressed people of Earth were its also saviors. Once Lambert went on to direct Pet Sematary Two, which was a theatrical bomb, she could not get people to invest in the film.

The script later went to Charles Band's Full Moon Features, but budgetary constraints held up the production in limbo. When it finally made its way onto desks at Joel Silver's Silver Pictures, it was optioned to be the second in a trilogy of Tales from the Crypt theatrical spin-offs. Universal Pictures executives thought the script had more potential than the other two films (Dead Easy and Body Count, neither of which was ultimately produced) and the movie was quickly sent into production with a tentative release date of Halloween 1994 (though the release was pushed back to January 1995).

At this point, two versions of the script were created to solve budgetary problems: one with demons and one without. In the latter, the Collector was a Bible salesman who was using a legion of fellow salesman clad in black suits and sunglasses (later revealed to be demons) as his minions. A film called Demon Knight with demons that looked like killer yuppies made everyone nervous, so Universal pitched in some additional money to get some demons on the screen.

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Famous quotes containing the word production:

    ... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.
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    From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.
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