Deep Red Magazine - Direction

Direction

Deep Red was intended as an alternative to competitors such as Fangoria and Famous Monsters of Filmland. The magazine mainly focuses on low-budget and foreign horror genre fare that saw minimal exposure in the more mainstream publications. In addition, the magazine highlights up and coming special effects artists.

The magazine became known for its irreverent, no holds barred style of criticism. Films were rated with a dual rating system of The Gore Score and Skull rating system. The Gore Score estimated the amount of gore in the film on a scale of 0 (Mary Poppins, Dumbo, Terms of Endearment) to 10 (Bloodsucking Freaks, The Evil Dead, The Gates of Hell). The Skull rating system assessed the film's overall quality from 4 skulls ("hard core horror") down to a dog ("bow-wow"), a rating that places a film in the "Video Dog House."

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Famous quotes containing the word direction:

    That reality is ‘independent’ means that there is something in every experience that escapes our arbitrary control. If it be a sensible experience it coerces our attention; if a sequence, we cannot invert it; if we compare two terms we can come to only one result. There is a push, an urgency, within our very experience, against which we are on the whole powerless, and which drives us in a direction that is the destiny of our belief.
    William James (1842–1910)

    From cradle to grave this problem of running order through chaos, direction through space, discipline through freedom, unity through multiplicity, has always been, and must always be, the task of education, as it is the moral of religion, philosophy, science, art, politics and economy; but a boy’s will is his life, and he dies when it is broken, as the colt dies in harness, taking a new nature in becoming tame.
    Henry Brooks Adams (1838–1918)

    Your Englishman, confronted by something abnormal will always pretend that it isn’t there. If he can’t pretend that, he will look through the object, or round it, or above it or below it, or in any direction except into it. If, however, you force him to look into it, he will at once pretend that he sees the object not for what it is but for something that he would like it to be.
    James Agate (1877–1947)