Deborah Allen - Early Life & Rise To Fame

Early Life & Rise To Fame

Allen was born Deborah Lynn Thurmond in Memphis, Tennessee and was strongly influenced by Elvis Presley, Roy Orbison, Aretha Franklin, Al Green, Ray Charles, The Beatles, The Rolling Stones, Led Zeppelin and the current music which was being played in Memphis on WHBQ and WDIA, as well as country greats such as Brenda Lee, Patsy Cline, Tammy Wynette, Dolly Parton, Willie Nelson, Waylon Jennings and Johnny Cash. At 18, Allen moved to Nashville to begin pursuing her career in music. She worked a short stint as a waitress at the local Music Row IHOP restaurant. While there one day, Deborah met Roy Orbison and songwriter Joe Melson. Two weeks later, Orbison and Melson, who admired her spunk, decided to hire Allen as to sing background on a couple of Orbison tracks.

Allen also auditioned for and landed a job at the Opryland USA theme park. She was soon chosen by Opryland as a featured soloist and dancer for a state department exchange tour of Russia starring Tennessee Ernie Ford.

Upon her return from Russia, Deborah gravitated to the Nashville offices of Waylon Jennings, the Tompall & the Glaser Brothers and John Hartford where her close friend, Marie Barrett, worked as a secretary. There she met her soon-to-be songwriting mentor, poet, playwright, artist and songwriter Shel Silverstein. After watching her perform during a happy hour show at the Spence Manor on Nashville's famed Music Row, Shel advised Deborah to pursue songwriting as an extension of her creativity and career path.

Allen also began to pursue a singing career in her own right when she was chosen to be a regular on Jim Stafford's ABC summer replacement series. She went on to serve as an opening act for many of Stafford's personal appearances. Jim and producer Phil Gernhard brought Deborah back to Nashville to record a CB radio novelty record called "Do You Copy." It was recorded live and was released as a single on Warner Bros. Records. Although she appreciated the opportunity to record with Stafford and Gernhard, Deborah was disheartened that after waiting patiently for two years to record her first record, it was a novelty tune. She decided to move back to Nashville to follow her true musical direction.

In 1979, while singing at a private party, Deborah was discovered by producer Bud Logan, who invited her to sing on five unfinished duet tracks by the late country legend Jim Reeves. Three of these songs were "Don't Let Me Cross Over," "Oh, How I Miss You Tonight" and "Take Me In Your Arms and Hold Me." All three duets were released as singles, and made the Top 10 on the country charts for Reeves' longtime label, RCA Records. Deborah was billed as "The Mystery Singer" on the first release, an innovative promotion by label head, Joe Galante.

Read more about this topic:  Deborah Allen

Famous quotes containing the words early, life, rise and/or fame:

    Two sleepy people by dawn’s early light, and two much in love to say goodnight.
    Frank Loesser (1910–1969)

    I do not mean to imply that the good old days were perfect. But the institutions and structure—the web—of society needed reform, not demolition. To have cut the institutional and community strands without replacing them with new ones proved to be a form of abuse to one generation and to the next. For so many Americans, the tragedy was not in dreaming that life could be better; the tragedy was that the dreaming ended.
    Richard Louv (20th century)

    Considered physiologically, everything ugly weakens and saddens man. It reminds him of decay, danger, impotence; it actually reduces his strength. The effect of ugliness can be measured with a dynamometer. Whenever anyone feels depressed, he senses the proximity of something “ugly.” His feeling of power, his will to power, his courage, his pride—they decline with ugliness, they rise with beauty.
    Friedrich Nietzsche (1844–1900)

    It is remarkable that the dead lie everywhere under stones.... Why should the monument be so much more enduring than the fame which it is designed to perpetuate,—a stone to a bone? “Here lies,”M”Here lies”;Mwhy do they not sometimes write, There rises? Is it a monument to the body only that is intended?
    Henry David Thoreau (1817–1862)