Death Note - Production

Production

The Death Note concept derived from a rather general concept involving Shinigami and "specific rules." Tsugumi Ohba wanted to create a suspense series because he did not feel that he could have created a fight-style series and that the genre had few suspense series. After publication of the pilot chapter the series was not expected to be approved as a serialized comic by the author who did not consider it to "fit with Jump." Ohba said that when he learned that Death Note received approval and that Takeshi Obata would create the artwork he "couldn't even believe it." Due to positive reactions, Death Note became a serialized manga series.

"Thumbnails" were created incorporating dialog, panel layout, and basic drawings, and were sent to the illustrator. The editor reviewed the thumbnails and sent them to the illustrator (Obata) with the script set in stone and the panel layout "mostly done." Obata then determined the expressions and "camera angles" and created the final artwork. Ohba concentrated on the tempo and the amount of dialogue, making sure that the text was as concise as possible. Ohba commented that he believed "reading too much exposition" would be tiring and would negatively affect the atmosphere and "air of suspense." Significant artistic license was given to the illustrator who worked on basic descriptions, such as "abandoned building", and this extended to the design of the Death Notes with Obata possessing free rein. Obata originally thought of the books as "'Bible-like'...something you would automatically think was a Death Note." He also felt this design would seem "difficult to use" and instead opted for an easy-to-use college notebook. At a later point the concept of Death Notes looking different from one another, depending on the human era (such as Death Notes in ancient Japan looking like scrolls and Death Notes in medieval Europe looking like The Old Testament) was conceived.

When Ohba decided on the plot he internally visualized the panels while being on his bed, drinking tea, or walking around his house, needing to feel relaxed while visualizing the panels. On many occasions the original draft was too long and needed to be refined various times before the desired "tempo" and "flow" for the chapter was finalised. The writer remarked on his preference for reading the previous "two or four" chapters carefully to ensure consistency in the story.

The typical weekly production schedule consisted of five days for creating and thinking and one day using pencil to insert dialogue into rough drafts; after this point the writer faxed any initial drafts to the editor. The illustrator's weekly production schedule involved one day with the thumbnails, layout, and pencils and one day with additional penciling and inking. Obata's assistants usually worked for four days and Obata spent one day to finish it. Obata said that sometimes he took a few extra days to color pages and that this "messed with the schedule." In contrast, the writer took three or four days to create a chapter on some occasions, while on others he took a month. Obata said that his schedule remained consistent except when he had to create color pages.

Ohba and Obata rarely met in person during the creation of the serialized manga; instead the two met with the editor. The first time they met in person was at an editorial party in January 2004. Obata said that, despite the intrigue, he did not ask his editor about Ohba's plot developments as he anticipated the new thumbnails every week. The two did not discuss the final chapters with one another and they continued to talk with the editor. Ohba said that when he asked the editor if Obata had "said anything" about the story and plot the editor responded '"No, nothing" .'

Ohba claims that the series ended more or less in the manner that he intended for it to end; he considered the idea of L defeating Light Yagami with Light dying but instead chose to use the "Yellow Box warehouse" ending. According to Ohba the details had been set "from the beginning." The writer wanted an ongoing plot line instead of an episodic series because Death Note was serialized and its focus was intended to be on a cast with a series of events triggered by the Death Note. 13: How to Read states that the humorous aspects of Death Note originated from Ohba's "enjoyment of humorous stories."

Ohba said that a theme that he wished to express throughout the series was that, "no human has the right to pass judgement on another's actions. No one should play god." He said that he intended Death Note to push an ideology about good and evil, and that Near's statement in Volume 12 about deciding right and wrong came about from his own personal belief.

When the writer was asked, during an interview, whether the series was meant to be about enjoying the plot twists and psychological warfare, Ohba responded by saying that this concept was the reason why he was "very happy" to place the story in Weekly Shōnen Jump.

Ohba was also asked what he considered the most important thing in Death Note, and he responded by saying, "the human whose name is written in this note shall die"; in contrast, Obata responded to the same question by answering "impossible to say."