Career
Born in Columbus Grove, Ohio, Jagger made his film debut in The Woman from Hell (1929) with Mary Astor. He became a successful character actor, without becoming a major star, and appeared in almost 100 films in a career that lasted until shortly before his death.
Jagger made his breakthrough to major roles in film with his portrayal of Brigham Young in Brigham Young (1940). According to George D. Pyper, a technical consultant on the film who had personally known Brigham Young, said that Jagger not only resembled Young, he also spoke like him and had many of his mannerisms.
Jagger then played prominent roles in Western Union (1941), Sister Kenny (1946) and Raoul Walsh's Western neo-noir Pursued (1947).
He received an Academy Award for Best Supporting Actor for his role in Twelve O'Clock High (1949). In the film he played the middle-aged adjutant Major Stovall, who acts as an advisor to the commander General Savage (Gregory Peck), and is tasked with writing letters to the next of kin of slain airmen. He appeared in the biblical epic The Robe (1953) as the weaver Justus of Cana, "whose words were like his work: simple, lasting, and strong," as Marcellus Gallio (Richard Burton) put it later in the film.
He was the retired general honored by Bing Crosby and Danny Kaye in the musical White Christmas (1954) and a helpless sheriff in the iconic Bad Day at Black Rock (1955) directed by John Eliot Sturges.
For the 1956 British science-fiction film X the Unknown, there was controversy when the actor refused to work with director Joseph Losey on this film because Losey was on the Hollywood blacklist. Losey was removed from the project after a few days shooting and replaced with Leslie Norman.
Jagger portrayed the father of Elvis Presley in 1958's King Creole. He was the traveling manager for an evangelist played by Jean Simmons in the acclaimed 1960 drama Elmer Gantry, which won three Academy Awards.
In 1961 he portrayed Sala Post in Delmer Daves's movie Parrish as a shade tobacco plantation owner set in Connecticut. The film also starred Troy Donahue, Claudette Colbert, Karl Malden and Connie Stevens.
In 1969 Jagger played "The Highwayman" in John Huston's The Kremlin Letter. In 1971's Vanishing Point, the actor made a brief but memorable appearance as a prospector in the desert with a knack for handling rattlesnakes.
Jagger also achieved success in the television series Mr. Novak, receiving Emmy Award nominations for his role, in 1964 and 1965. He won a Daytime Emmy award for a guest appearance in the religious series This Is the Life. He did dozens of TV dramatic roles, including an episode of The Twilight Zone called "Static." In an early episode of the television series Kung Fu Jagger appeared as Caine's Grandfather who wants little to do with him, but starts Caine on his series long search for his half brother Danny. One of Jagger's last television roles was a guest appearance on St. Elsewhere.
In later years, Jagger appeared in made-for-TV movie roles in The Glass House (1972, ABC) which also starred Alan Alda and Vic Morrow. The screenplay was partially based on a story by Truman Capote. Jagger played state prison Warden Auerbach. In 1973, he was in another TV movie, a pilot for a proposed series called "The Stranger," a science fiction film starring Glenn Corbett as an astronaut stranded on an alien planet, with Jagger as a leader of a corrupt deceptive government known as "The Perfect Order". Lew Ayres and Cameron Mitchell also starred. None of the major U.S. networks picked it up as a weekly series.
Dean Jagger has a star on the Hollywood Walk of Fame for his contribution to motion pictures, at 1523 Vine Street.
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Famous quotes containing the word career:
“Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.”
—Douglas MacArthur (18801964)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Work-family conflictsthe trade-offs of your money or your life, your job or your childwould not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)