Day Watch (film) - Russian Vs. North American Releases

Russian Vs. North American Releases

One of the key differences between the North American release and the Russian original is that while they both open with a particular sequence, the North American version is truncated.

  • Anton and Anatoly play basketball in the computer room.
  • Alisa visits Galina Rogova's little daughter to find out if she saw Gorodetsky.
  • Anton calls his ex-wife (Yegor's mother) to find out where Yegor is.
  • In the subway, Anton escapes from the pursuing Dark Others by jumping into a running train. The pursuers kill a night guard who tries to stop them.
  • At the party Anton grabs a microphone from a singer and starts singing Communist songs.
  • Yegor is trying to suck out the life force of Svetlana through the needle he put into her at the beginning.

In addition, there are many trims of existing scenes and excised lines. Also, there are some cuts for violence, e.g. Yegor pouring a pot of hot sausages over a vendor and Anton's brutal beating by the security guard.

The Unrated DVD is the same as the Russian release of the DVD.

Read more about this topic:  Day Watch (film)

Famous quotes containing the words russian, north, american and/or releases:

    I won the battle the wrong way when our worthy Russian generals were losing it the right way.
    George Bernard Shaw (1856–1950)

    So-called Western Civilization, as practised in half of Europe, some of Asia and a few parts of North America, is better than anything else available. Western civilization not only provides a bit of life, a pinch of liberty and the occasional pursuance of happiness, it’s also the only thing that’s ever tried to. Our civilization is the first in history to show even the slightest concern for average, undistinguished, none-too-commendable people like us.
    —P.J. (Patrick Jake)

    First in booze, first in shoes, and last in the American League.
    —Administration in the State of Miss, U.S. public relief program (1935-1943)

    We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
    Bertolt Brecht (1898–1956)